In October 2015, Leica introduced the professional Leica SL as its first mirrorless interchangeable lens camera with a full-frame sensor and an L-mount. The L-mount was so far limited to Leica products, but things took a surprising turn in September 2018 when Leica, Panasonic and Sigma announced the L-Mount Alliance. It allows all three partners to use the L-mount not only for their lenses, but also for their cameras. The Panasonic Lumix S1 and the high-resolution S1R cameras were introduced in February 2019, followed by the 6K video-centric Lumix S1H in May 2019, the compact Sigma fp in July 2019, the high-resolution Leica SL2 in November 2019, the entry-level Lumix S5 in September 2020, the hybrid Leica SL2-S in December 2020 and the studio video camera Lumix BS1H in October 2021. The first L-mount camera with a phase detect autofocus, the Lumix S5 II, was announced in January 2023.
This page provides an overview of the quickly growing catalog of full-frame L-mount lenses. These are mostly autofocus lenses, but selected manual focus lenses may also be included. APS-C L-mount lenses for cameras with smaller sensors are listed separately.
For every lens, the following major characteristics are given:
- Focal length.
- Maximum aperture. It has a strong influence on the lighting conditions under which the lens can be used, and how shallow the depth of field can be. Fast lenses also tend to be much bigger, heavier, and more expensive. Green labels indicate fast lenses (> f/2), red labels indicate slow lenses (< f/4).
- Filter size. It serves as a representative of the length, diameter and weight of the lens. Green labels indicate compact lenses (filter size < 60 mm), red labels indicate big lenses (> 70 mm).
- Minimum focus distance (MFD). It has a major influence on the magnification that can be achieved, as well as the depth of field.
- Another important point is of course the price, but it is different in every market and currency. Instead, links to independent reviews are given which will help you to find the best lens for your needs.
Note that additional designations such as ASPH, OIS and OS that are not necessary to identify a lens are omitted. Manual focus lenses are marked by an asterisk (*), purely mechanical lenses with no digital coupling to the camera are marked by a double asterisk (**).
1 Prime lenses
Lenses with a fixed focal length.
1.1 Fisheye lenses
Ultra wide angle lenses with purposeful strong distortions.
lens | focal length | max aperture | filter size | MFD | rvws | |
mm | mm | m |
1.2 Wide angle lenses
lens | focal length | max aperture | filter size | MFD | rvws | |
mm | mm | m | ||||
Sigma | DG HSM | Art | 14 | 1.8 | n/a | 0.27 | |
Panasonic | Lumix S | 18 | 1.8 | 67 | 0.18 | |
Sigma | DG DN | Art | 20 | 1.4 | 82 | 0.23 | |
Sigma | DG DN | Contemporary | 20 | 2 | 62 | 0.22 | |
Sigma | DG DN | Art | 24 | 1.4 | 72 | 0.25 | |
Panasonic | Lumix S | 24 | 1.8 | 67 | 0.24 | |
Sigma | DG DN | Contemporary | 24 | 2 | 62 | 0.25 | |
Sigma | DG DN | Contemporary | 24 | 3.5 | 55 | 0.108 | |
Sigma | DG HSM | Art | 28 | 1.4 | 77 | 0.28 | |
Leica | APO-Summicron-SL | 28 | 2 | 67 | 0.24 | |
Sigma | DG DN | Art | 35 | 1.2 | 82 | 0.30 | |
Sigma | DG DN | Art | 35 | 1.4 | 67 | 0.30 | DP |
Panasonic | Lumix S | 35 | 1.8 | 67 | 0.24 | |
Leica | APO-Summicron-SL | 35 | 2 | 67 | 0.27 | |
Sigma | DG DN | Contemporary | 35 | 2 | 58 | 0.27 | CL |
1.3 Standard lenses
Lenses with a focal length around the image sensor diagonal of 43 mm that provide a natural perspective.
lens | focal length | max aperture | filter size | MFD | rvws | |
mm | mm | m | ||||
Sigma | DG HSM | Art | 40 | 1.4 | 82 | 0.40 | |
Sigma | DG DN | Contemporary | 45 | 2.8 | 55 | 0.24 | |
Leica | Summilux-SL | 50 | 1.4 | 82 | 0.60 | |
Panasonic | Lumix S Pro | 50 | 1.4 | 77 | 0.44 | CL |
Sigma | DG HSM | Art | 50 | 1.4 | 77 | 0.40 | |
Panasonic | Lumix S | 50 | 1.8 | 67 | 0.45 | |
Leica | APO-Summicron-SL | 50 | 2 | 67 | 0.35 | |
Sigma | DG DN | Contemporary | 65 | 2 | 62 | 0.55 |
1.4 Telephoto lenses
lens | focal length | max aperture | filter size | MFD | rvws | |
mm | mm | m | ||||
Leica | APO-Summicron-SL | 75 | 2 | 67 | 0.50 | |
Sigma | DG DN | Art | 85 | 1.4 | 77 | 0.85 | |
Panasonic | Lumix S | 85 | 1.8 | 67 | 0.80 | |
Leica | APO-Summicron-SL | 90 | 2 | 67 | 0.60 | |
Sigma | DG DN | Contemporary | 90 | 2.8 | 55 | 0.50 | |
Sigma | DG HSM | Art | 105 | 1.4 | 105 | 1.00 | |
Sigma | DG HSM | Art | 135 | 1.8 | 82 | 0.88 |
1.5 Macro lenses
Lenses with a small minimum focus distance and a high magnification.
lens | focal length | max aperture | filter size | MFD | rvws | |
mm | mm | m | ||||
Sigma | DG Macro | Art | 70 | 2.8 | 49 | 0.26 | |
Panasonic | Lumix S Macro | 100 | ||||
Sigma | DG DN Macro | Art | 105 | 2.8 | 62 | 0.30 |
2 Zoom lenses
Lenses with a variable focal length.
2.1 Wide angle zoom lenses
lens | focal length | max aperture | filter size | MFD | rvws | |
mm | mm | m | ||||
Sigma | DG DN | Art | 14-24 | 2.8 | n/a | 0.28 | CL |
Panasonic | Lumix S Macro | 14-28 | 4-5.6 | 77 | 0.15 | |
Sigma | DG DN | Contemporary | 16-28 | 2.8 | 72 | 0.25 | |
Leica | Super-Vario-Elmar-SL | 16-35 | 3.5-4.5 | 82 | 0.25 | |
Panasonic | Lumix S Pro | 16-35 | 4 | 77 | 0.25 |
2.2 Standard zoom lenses
Zoom range from moderate wide angle to moderate telephoto.
lens | focal length | max aperture | filter size | MFD | rvws | |
mm | mm | m | ||||
Panasonic | Lumix S | 20-60 | 3.5-5.6 | 67 | 0.15 | CL |
Leica | Vario-Elmarit-SL | 24-70 | 2.8 | 82 | 0.18 | |
Panasonic | Lumix S Pro | 24-70 | 2.8 | 82 | 0.37 | |
Sigma | DG DN | Art | 24-70 | 2.8 | 82 | 0.18 | DP |
Leica | Vario-Elmarit-SL | 24-90 | 2.8-4 | 82 | 0.30-0.45 | |
Panasonic | Lumix S Macro | 24-105 | 4 | 77 | 0.30 | |
Sigma | DG DN | Contemporary | 28-70 | 2.8 | 67 | 0.19-0.38 | |
Panasonic | Lumix S | 28-200 |
2.3 Superzoom lenses
Like standard zooms, but with an approximately 10x zoom range.
lens | focal length | max aperture | filter size | MFD | rvws | |
mm | mm | m | ||||
Sigma | DG DN | Sports | 60-600 | 4.5-6.3 | 105 | 0.45-2.60 |
2.4 Telephoto zoom lenses
lens | focal length | max aperture | filter size | MFD | rvws | |
mm | mm | m | ||||
Panasonic | Lumix S Pro | 70-200 | 2.8 | 82 | 0.95 | |
Panasonic | Lumix S Pro | 70-200 | 4 | 77 | 0.92 | CL |
Panasonic | Lumix S Macro | 70-300 | 4.5-5.6 | 77 | 0.54-0.74 | DP |
Leica | APO-Vario-Elmarit-SL | 90-280 | 2.8-4 | 82 | 0.60-1.40 | |
Sigma | DG DN | Contemporary | 100-400 | 5-6.3 | 67 | 1.12-1.60 | |
Sigma | DG DN | Sports | 150-600 | 5-6.3 | 95 | 0.58-2.80 | DP |
3 Teleconverters
Teleconverters extend the focal length of matching telephoto lenses by a certain factor.
lens | focal length | max aperture | filter size | MFD | rvws | |
Panasonic | Lumix STC14 | 1.4x | n/a | n/a | n/a | |
Panasonic | Lumix STC20 | 2x | n/a | n/a | n/a | |
Sigma | TC-1411 | 1.4x | n/a | n/a | n/a | |
Sigma | TC-2011 | 2x | n/a | n/a | n/a |
References
The linked reviews are by CameraLabs (CL), DPReview (DP), LensTip (LT), MirrorLessons (ML) and OpticalLimits (OL). LT and OL focus on laboratory testing, CL, DP and ML on real world photography. Links in brackets refer to tests of earlier models.